My passion for photography began when I took a darkroom class in high school. To this day I continue to shoot film and make fiber prints, admittedly, not as much I would like.
I have long been working on a portfolio titled Creamers Field on Film. Creamers Field is an old dairy farm turned migratory waterfowl refuge. The criteria for the portfolio is simple: shot on film, at Creamers Field. Right on the northern edge of Fairbanks, with beautiful historic buildings and an incredible range of landscapes, I highly recommend a trip there for anyone visiting Fairbanks.
The three images today were shot on B&W 35mm Illford Delta 100, the digital files are scans from 8×10 fiber prints.
Shot just one day before the first snowfall, the moss was all but dead, resembling skin draped over bones.
It’s only four days until my first solo show, I’m excited and busy, but feel it should come together nicely. There are already things I wish I had done differently, but it’s not in my nature to worry, so I’m chalking it up to lack of experience.
As I said previously, my show is to deal heavily with the role of people within place. Even when people take a a large portion of subject matter they are meant to complement the surroundings. Such is the case with today’s image “David in Kennicott,” A large, strong figure in a commanding environment. Also worth noting is location, most of the images are paired, some in multiple ways. This is at the same location as my title piece “Rain Apparition,” Kennicott in the Wrangell St. Elias National Park. With pairings the viewer is allowed to view locations with many more meanings; the ability to step back, taking in the scene, then moving in closer for detail.
Please click on the image to view full size.
David in Kennicott