Majestic Alaska: Castner Glacier

Alaska, Iphone, Landscapes

Some time ago I realized I live in one of the most stunning landscapes on the planet, yet fail to truly experience it. I call it the backyard syndrome: it’s so close you rarely walk through it. Not to say Alaska isn’t enormous, harsh and challenging. So more and more I have been taking to the trail.

A few weeks ago four people from the Alaska Alpine Club attempted to summit White Princess — a nearly 10,000 foot peak in the eastern Alaska Range.

The 9 mile approach up the Caster Glacier took all day, but bluebird skies always make great skiing. Unfortunately, bluebird skies didn’t stick around, and near-whiteout conditions high on the mountain nullified Sunday’s summit push. Absolutely no complaints though.

The photos are mostly 35mm film with two iPhone frames.

Approaching an ice cave on the Caster Glacier, even simple Alaska scenery’s stunning.

Inside the ice cave a person’s presence is easily overcome by time, textures and colors.

Ski tracks say where you’ve been, and can be extremely satisfying to look at.

The only view we got of White Princess — the peak in the upper-right quadrant — was rolling into base camp around 9 p.m. Dark and cold quickly followed.

A large rock wall dwarfs skiers and illustrates the scale of Alaska’s environment.

Group shot before leaving base camp.

About the only blue sky seen on Sunday. Snow blowing off the ridge is a good indicator of the strong winds.

Moss on Mt. Rainier

Landscapes, Photography, Travel

Above: A small stream snakes through vibrant green moss on Mt. Rainier in Washington state. The picture reminds me how alive and diverse the mountain is, from the thunderous cracks and groans of enormous glaciers to the smallest bubbling stream sustaining a secluded ecosystem. The picture is a rough scan of color positive film, shot on Hasselblad.

Windows – Piano, Dog, Cat and Abstract

Abstract, Alaska, Black & White, Film, Photography, Portraits, Street, Travel

Above: Piano lessons at night through a window in the University of Washington district. Shot on a Kodak Retine IIIc, 35mm film.

Windows, the current weekly photo challenge, can mean many things. Look in or out a window to see opposites. Eyes are windows. A window of time carries heavy implications. Windows are simultaneous openings and reflections. Insight into others and self.

Throughmylens posted two wonderful windows to look through – one in British Columbia and one in Italy.

Im excited to feature film frames this post. I have been neglecting film recently, so it’s good stimulant to shoot and process more. Two are film, the abstract black and white and the color frames are film.

Abstract frost patterns in a window at Creamers Field – 120mm Illford film.

Cat watches world.

Dog watches world.

Post Number 100!

Abstract, Alaska, Black & White, Landscapes, Portraits, Travel, Uncategorized

Above: Heidi in the Hood, a selectively-saturated portrait.

It sounds and feels like a lot – this is my 100th post. Thanks to everyone who visits! I have spent a lot of time running Far North Light and loved every minute. It’s great to have so many people show an interest in seeing things through my lens for a little while.

To commemorate 100 posts I have made major formatting changes. Most notable is the blogs appearance, it now includes a homepage with a slideshow, and will in the future include more galleries and portfolios. Please check out my updated about page as well.

I decided there would be no better way to mark 100 posts then to revisit some of the most popular. Note: as this is the second incarnation of Far North Light some of the images were not previously on the blog, but needed to be revisited regardless.

Do you have a favorite photo that I didn’t include in the best-of? Let me know and I’ll make a follow-up post.

Strange Day was the first 4×5 large-format negative I ever took, and one of my first images ever accepted into a juried art show. The following image is a scanned silver-gelatin fibre print. If I knew how I achieved such black clouds, I would tell you.

Strange Day

Stange Day was taken at Creamers Field, which was a diary farm and is now a migratory wildfowl refuge, and one of my favorite places to photograph. It’s excellent for everything from landscapes to portraits. The next is a wind drift closeup from Creamers, also 4×5.

Wind Drift

I don’t often go in search of wildlife, but when given the opportunity do photograph it.

Migrating Canada geese.

One of my favorite posts is from Halloween 2012.

Ravens play on a windy Halloween day.

No compilation post about photography would be complete without some of my photojournalism. From Oct. 17, 2012

Research Vessel Sikuliaq gets its first taste of the water, Marinette, Wis.

And from my coverage of presidential candidate Ron Paul’s visit to Fairbanks.

Ron Paul speaks in Fairbanks, March 4, 2011.

As I’m sure is obvious this is but a small collection of the posts and stories I’ve shared. Many of my personal favorites I put into the homepage slide show. I hope you enjoyed, and stay tuned for many more images!

Black and White, 35mm Moss Studies

Abstract, Alaska, Black & White, Film, Landscapes, Photography

My passion for photography began when I took a darkroom class in high school. To this day I continue to shoot film and make fiber prints, admittedly, not as much I would like.

I have long been working on a portfolio titled Creamers Field on Film. Creamers Field is an old dairy farm turned migratory waterfowl refuge. The criteria for the portfolio is simple: shot on film, at Creamers Field. Right on the northern edge of Fairbanks, with beautiful historic buildings and an incredible range of landscapes, I highly recommend a trip there for anyone visiting Fairbanks.

The three images today were shot on B&W 35mm Illford Delta 100, the digital files are scans from 8×10 fiber prints.

Shot just one day before the first snowfall, the moss was all but dead, resembling skin draped over bones.

Music Monday: Nor’easter, With Video.

Alaska, Black & White, Music, Photography, Portraits

Boston-based band Nor’easter, founded by Max Newman of Fairbanks, spent some time sharing music in the KUAC studios Feb. 1, 2013. This contra-dance band features Max Newman on guitar and mandolin, Cedar Stanistreet on fiddle and Julie Vallimont on piano and accordion.

Being a band with Alaska roots, Nor’easter got the filming treatment during their Alaska Live session, which I will embed at the end of this post. Want more? Check out their full Alaska Live podcast.

It’s evident they have fun sharing their music, which indeed induces foot tapping.

2013 GCI Open North American Championships.

Alaska, Landscapes, Photography, Sports

The GCI Open North American Championship is a three-day dog-sled race, that starts and finishes in downtown Fairbanks. The course takes leads them to the Chena River and Noyes Slough before depositing racers into the extensive trail network north of Fairbanks. Weather couldn’t have been better.

I met up with the mushers at Creamers Field, one of my go-to places for photography. Today, like most days at Creamers, I focused with film. With luck it may get develop in a timely manner.

Trucking through Creamers Field. Sat. March 16, 2013

Perhaps tomorrow I will focus on the downtown spectacle while shooting a little more digital.

Can I use that picture? No. Well… I’m going to. Street photography and copyright infringement.

Film, Photography, Portraits, Street, Travel

An issue every photographer struggles with, sharing their work with the world while protecting intellectual property, has a new high-profile case.

Humans of New York, the blog of street photographer Brandon Stanton, is a hugely popular blog featuring posed and candid images of the many unique citizens in America’s most populous city. According to The Guardian, clothing company DKNY offered Stanton $15,000 to use 300 of his photos. Feeling $50 per photo was inadequate compensation from a wealthy company Stanton requested more, which DKNY denied.

A fan of Stanton later brought to his attention that DKNY had in fact used many of his images in a window advertisement in Bangkok. Taking a very admirable path, Stanton asked DKNY donate $100,000 to his local YMCA, in Bedford-Stuyvesant, Brooklyn. In what was a simultaneous act-of-kindness and backhanded swipe, DKNY donated $25,000 in Stanton’s name.

So how do photographers, and artists as a whole, attempting to establish their name protect it at the same time? There’s no fool-proof way. Watermarks, finding websites that don’t allow downloading of images and small file sizes are all techniques.

Personally, I size my images small enough they wouldn’t make a decent print and hope people will at least ask if they want to use it. I have found out this isn’t an adequate approach.

The topic will only continue to brew confusion and controversy, as popular image-sharing software Instagram has recently been sued over inadequate protection of users photos.

Today I will share some of my street photography from Seattle.

I didn’t have much reaction time when I saw how the orange of the man’s shirt and child’s stroller complemented the orange accents on the posters.

Here I was simply interested in the smooth curvature of the drinking fountain and the bike-lane indicator in the street when a pedestrian came to quench his thirst. Again I had to quickly step back to get a more inclusive image before he continued on his way.

I dig his tall, white socks with black shoes.

Weekly photo challenge: Solitary

Alaska, Black & White, Film, Landscapes, Photography, Portraits, Travel, Weekly Photo Post

Solitary: being, living or going alone or without companions. The word instantly conjurs images of some distant wayfarer or contemplative individual. For this installment of the Weekly Photo Challenge, I will show you three of my interpretations of solitary, images I believe convey the mood through subject matter and compositional elements.

First: a very literal interpretation of solitary. In Denali National Park, a lone-grazing caribou is seen in vast tundra. I wont even begin to speculate on the distances, however it was shot with a 300MM telephoto lens on a Canon 7D. The importance of the 7D is the smaller APS-C sized sensor increases the 300MM lens to an effective focal length of 480MM! As focal length increases, the depth of a picture is flattened, making the relationships of everything seem closer.

In short, this caribou is very alone.

Please click on the images to view full size.

Lone caribou in Denali National Park, Sept. 16, 2012

My second image is more metaphorically solitary. The model and her shadow are all the viewer has to dwell on. I think her gaze off the edge of the frame, often deemed poor composition because the viewer wonders what the subject is looking at, gives the feeling that there is nothing besides more wall, adding to the solitary feeling. Also helping is the edge of the 4×5 film, terminating any curiosity about what else there may be.

Crystal at Creamers Field

Finally a somber event that would leave anyone feeling solitary. A woman walks past a cutout to honor a victim of domestic violence. The plaque reads,

“Nancy Tegoseak, Age 40, April, 2004. Nancy was born in Tanana and the loving mother of five children. She was beaten to death by her boyfriend. She leaves behind three children.”

Kodak Retina double exposure

Abstract, Alaska, Film, Photography

I read an ad for a garage sale that specifically said antique cameras, needless to say I couldn’t resist. To my delight I found a Kodak Retina IIIc. Based off the serial number from this 35MM camera it was made between 1954 and 1957 in Stuttgart, Germany. This awesome camera can be slow to use, but features a qreat 50mm, Schneider 2.0 lens. It is also has a solid feel, and at $25 price tag, with a $50 cleaning at a local shop, I couldn’t be happier with the cost.

It always fun to imagine the pictures an old camera has taken, and equally fun to image the ones it has left.

Please click on the image to view full size.

Dog sign double exposure

One of the rolls I shot was old 400 ASA film, and somehow got double exposed. No complaints here as the contrast between neon pink hotel sign and the curious gaze of the dog in the woods mimics a feeling I often have when looking at some of todays buildings.