Fine Art Friday: North Star Ballet’s “The Firebird.”

Alaska, Music, Photography, Portraits

A few weeks ago I mentioned a new posting theme: Fine Art Friday. That has been the first, and only, installment. Until now.

North Star Ballet School, in Fairbanks, Alaska, will premier The Firebird this weekend, a ballet based on a Russian fairy tale, and set to music by Russian composer Igor Stravinsky. A full article about the local production with dancer, director and seamstress interviews can be found at the Fairbanks Daily News-Miner.

It’s a standard fairy-tale plot, a prince battles evil to free a damsel in distress, in this case calling on the Firebird to help him defeat the evil Kotschei. Dancers adorn bold, bright and colorful costumes, especially Kotschei’s cape and a group of monsters under his control. Continuing with vivid colors, the second act includes three short pieces, Red Arc/Blue Veil, Suite With Hats, and Der Rosenkavalier Waltzes. 

Firebird has performances at UAF’s Salisbury Theatre, Friday April 19 at 8 p.m., Saturday April 20 at 2 and 8 p.m., and Sunday April 21 at 2 p.m.

Kotschie (Jarrin Overholt,) is banished by the Firebird (Wendy Langton,) as Prince Ivan (Ian Ziesel,) looks on

Kotschie (Jarrin Overholt,) is banished by the Firebird (Wendy Langton,) as Prince Ivan (Ian Ziesel,) looks on

Monster capture and torment Prince Ivan

Monsters capture and torment Prince Ivan

The Firebird and Prince Ivan dance together in the forest.

The Firebird and Prince Ivan dance together in the forest.

Red Arc/Blue Veil is not a dance with a narrative. Instead it is a study in movement and music. Composed by Fairbanks-based, but internationally-renowned composer John Luther Adams, Red Arc/Blue Veil is metaphorical piece about the Aurora Borealis, exploring the geometry of time and color.  Fluid successions of movement rise and fall, crisscrossing the stage. Lighting – green, red, blue, and purple – strengthen enhance the ethereal feel.

Movement and form is repeated in a canonical form, meaning the same steps but at different times.

Movement and form are repeated in a canonical form, meaning the same steps, but at different times.

A fitting, and fantastic, lens flare for a piece symbolizing the northern lights.

A fitting, and fantastic, lens flare for a piece symbolizing the northern lights.

Music Monday: TIm Robb at Creamers Field.

Alaska, Black & White, Film, Music, Photography, Portraits, Street

First things first: My condolences go out to all those affected by today’s Boston Marathon tragedy. I have spent some time viewing photos and watching videos, it truly is horrific. I can’t imagine the utter shock and chaos felt during what should have been a time of jubilation.

I was riding my bike to school, just about this time in 2012, and stopped by Creamers Field to shoot some 35mm, B&W film. I happened upon an unexpected scene.

Fairbanks musician Tim Robb watched the arrival of Canada goose while practicing guitar, his dog in attendance. Robb is a very enjoyable, mellow yet enthusiastic musician. The Fairbanks Daily News-Miner correctly critiques his work: “Robb… typically blurs the style lines through free-form interpretation and improvisation.”

I was worried I didn’t have anything for Music Monday, then I found these gems in my archives. The first image is a lesson in micro-composition. A few extra seconds in the viewfinder and I may have panned up and to the right, eliminating the rear-door handle and “Outback” emblem, at the same time getting all the lettering on the barn and the vents on the roof.

Tim Robb practices guitar while his dog hangs out at Creamers Field, April 2012.

Tim Robb practices guitar while his dog hangs out, Creamers Field, April 2012.

Bright morning light causes squinty eyes, but doesn't diminish smiles.

Bright morning light causes squinty eyes, but doesn’t diminish smiles.