Above: A quiet and foggy beginning to the 2013-2014 season at Skiland. December 7, 2013 at 10:12 a.m.
December 7, 2013, marked the start of the downhill season at Skiland – the farthest-north chairlift in North America. Opening day is often a mad dash; wake up after a party; corral people, some gear, and grub; then try to get there for first run at 10 a.m., because last run comes quick at 2:30 p.m.
This year was relaxed, waxed boards the night before and went to bed at a reasonable time. The next day lots of clouds made visibility difficult, but unseasonably warm temperatures – over 10 degrees fahrenheit – complemented a snowpack that hide reasonable numbers of rocks!
Not much lifts the spirits in dark and typically cold December then an early opening at the downhill. Here’s a few examples of rapidly-changing light from the chairlift.
Sitting in a cloud, prepping for the second run of the season.
Visibility remained elusive, even worsening as the morning progressed – 10:42 a.m.
By 1:58 the sun was in decline, and direct sunlight had all but passed.
With one hour left to snowboard, at 1:48 p.m., the sun had broken some clouds – revealing spectacular scenery.
Time for another iPhone photo collection. For me iPhones are true slivers of life. It could be my other camera is just out of reach, or I need to be quick – dramatic light in a restaurant or a dragonfly landing on my leg. My favorite is attempting to capture the impromptu; that picture that must be shot out of a car window with little time for composition, a logging truck or a man and his dog.
Window blinds slice and dice light entering a restaurant as a little girl plays.
A man and a dog relax outside the corner store.
Afternoon garden help from a smiling dragonfly.
Fishing for silver salmon in Prince William Sound.
Getting passed by one of many logging trucks on the Alaskan-Canada highway.
Went out for drinks after my show last Friday. I noticed a neat reflection being projected onto our table at Lavelle’s Bistro. It’s very rewarding after such a hectic week in a very crowded and noisy restaurant to notice the elegance of still life. In the low light shallow depth of field and grain come standard on the 35MM 400 ISO film.
Please click on the image to view full size.