Above: The silhouette of a tree creates abstract patterns as colors cascade across Green Lake in Seattle, WA.
Using layers effectively can be a powerful way to captivate an audience. The effect of taking a three-dimensional scene and rendering it two-dimensional can be greatly minimized by offering multiple layers as focal plains to create depth.
An easy trick to think about is having something in the foreground, mid ground and background. Shoot through objects like fences, window frames or tree limbs to instantly add depth. Clouds, fog and mist all help individual layers stand out from each other, and adding a reflection can quickly increase depth.
The edge of a window, clouds and shoreline make for three very distinct layers.
Multiple rooms with varied lighting and window reflections create a confusing set of layers.
Foreground, mid ground and background to create layers, with complementary colors to boot!
It’s another inaugural themed post, “Fine Art Friday.” Today I’m combining it with World Water Day. Since 1993 World Water Day has advocated for the sustainable management of freshwater resources and brought attention to the importance of freshwater.
World Water Day was brought to my attention by fellow blogger FrizzText, who linked to a lovely collection of water-related photos assembled by boston.com. It even includes an night shot from the 2012 Iditarod Trail Sled Dog Race of a racer collecting snow to melt.
Musher Bill Pinkham collects hot water during his stop in Takotna, Alaska, during the Iditarod Trail Sled Dog Race on March 7, 2012. (Marc Lester/Anchorage Daily News/Associated Press)
My World Water Day image is of unwanted water. It’s springtime, and more then a few structures at UAF have leaky roofs. At the Fine Arts Complex – hence the relation to Fine Art Friday – the rhythmic drip-drop of water leaching into the building did a good job distracting from class.
Ripples radiate on a window sill in UAF’s Fine Art Complex during a warm March afternoon. March 8, 2013.
Record temperatures in Fairbanks means snow’s melting, fast. I’ve been photographing the farmer who is raising Black Angus cows some more. Here water drips off a fence highlighted by sun with a cow in the background. 100 speed film means not a lot of grain, but on 35MM it still comes standard, shallow depth of field just because I can.
Please click on the image to view full size.