Raindrops and Spirits. One of the spirits.

Alaska, architecture, Arts, Black & White, Film, Landscapes, Photography, Portraits, Travel

It’s only four days until my first solo show, I’m excited and busy, but feel it should come together nicely. There are already things I wish I had done differently, but it’s not in my nature to worry, so I’m chalking it up to lack of experience.

As I said previously, my show is to deal heavily with the role of people within place. Even when people take a a large portion of subject matter they are meant to complement the surroundings. Such is the case with today’s image “David in Kennicott,” A large, strong figure in a commanding environment. Also worth noting is location, most of the images are paired, some in multiple ways. This is at the same location as my title piece “Rain Apparition,” Kennicott in the Wrangell St. Elias National Park. With pairings the viewer is allowed to view locations with many more meanings; the ability to step back, taking in the scene, then moving in closer for detail.

Please click on the image to view full size.

David in Kennicott

A first, first Friday. “Raindrops and Spirits.”

Alaska, Arts, Black & White, Film, Landscapes, Photography, Travel

After a few years of persuasion from local photographers, April 6, 2012 I will be holding my first solo show at Frank’s Menswear, downtown Fairbanks, on 2nd Ave. The show, titled “Raindrops and Spirits” will be around 15, 8×10 in. silver-gelatin darkroom prints, taken at various locations around Alaska including Fairbanks, Homer and Kennicott. It’s very exciting to know my work will hang on the walls of a business for a month, and hopefully it will lead many more shows at many venues, as well as a few print sales.

People play an important role in the theme of my show, the absence of people equally important as the inclusion. The title is derived from the following image, which features a blur in the lower left-hand corner. People often ask me what caused it, and I reply with “A raindrop on the lens.” But having a vivid imagination I often like to think it’s something more, in this case the apparition of a forgotten worker from the mine, wandering the grounds he calls home.

Please click on image to view full size.

Rain Apparition

Valdez Harbor and Trans-Alaska Pipeline Storage Tanks

Alaska, Black & White, Film, Landscapes, Photography, Travel

While doing some back editing I realized I have a fair amount of work from a few trips to Valdez last summer. Valdez is the northern-most ice free harbor in the U.S. and is home to the terminus of the Trans-Alaska Pipeline.

Seen here from across the bay, on a rare sunny day in Valdez, are the storage tanks for the oil that continues to flow through the pipeline 35 years after it was first pumped. According to valdezalaska.org there are 18 crude-oil tanks, each capable of holding 510,000 barrels of crude, for a total of 9.18 million barrels. While not nearly at peak production the pipeline still proves to be a vital portion of Alaska’s economy. Watch where you’re boating, if you enter the restricted area around the storage tanks you can be fined up to $32,500 and lose your boat.

This next image is simply Valdez harbor with mountains in the background.

Drosselmeyer and his clock.

Alaska, Arts, Black & White, Film, Photography, Portraits

Drosselmeyer is the magical character who gives Clara the nutcracker doll which allows her to visit the Land of the Sweets in Tchaikovsky’s The Nutcracker. Jim Baird currently inherits the role of Drosselmeyer in North Star Ballet’s production. Here he is on set, next to the clock which he uses to magically enter and leave scenes.

Ron Paul in Fairbanks, Alaska

Alaska, Black & White, Film, Photography, Portraits

Ron Paul became the only presidential candidate to visit Alaska today with trips to Fairbanks and Anchorage. He spoke to a full house at the Westmark Gold Room for near an hour. My first opportunity to shoot such a large profile figure, what I expected to be slow, possibly even mundane turned out to be a bit of a scramble. In retrospect it was silly to think it would be slow. Moments are unexpected, crowds are alive and energy bounces off the walls. As always keeping the shutter clicking and working the scene were the most important things. There’s no way I would have passed up the opportunity without shooting some film, and shot two rolls of 120 on my Hassleblad. It was dark and hard to focus and obviously limited opportunities, though I feel some of my best shots were on film. Here’s one of those. Check back often this week as I have lots of posts lined up covering many subjects.