Weekly Photo Challenge: Big. Big splash at the Sikuliaq Launch.

How great the image I was about to post fits perfects with the photo challenge this week.

Last saturday the 261-foot Sikuliaq launched into the Menominee River from Marinette Marine Corporation, Wis. The National Science Foundation owned and UAF operated vessel entered the water at a steep, 60-degree angle. It created quite a splash. Unfortunately the cloudy sky that deposited rain all day long makes it difficult to truly appreciate the size of the wave. The person on the tug boat in the lower left corner offers some perspective. Stay tuned for more Sikuliaq coverage.

Knowing it would happen fast and be unpredictable I went with a wide-angle lens and a high, 3200 ISO so I could use a quick shutter speed.

Here’s a Daily News-Miner article covering the christening and launch ceremony, as well as some science capabilities and the future journey of the Sikuliaq, co-written with my advisor Lynne Lott.

Please click on the image to view full size. © Robin Wood

Research Vessel Sikuliaq gets its first taste of the water, Marinette, Wis. 25mm at f13, 1/1000 sec.

Weekly photo challenge: Solitary

Alaska, Black & White, Film, Landscapes, Photography, Portraits, Travel, Weekly Photo Post

Solitary: being, living or going alone or without companions. The word instantly conjurs images of some distant wayfarer or contemplative individual. For this installment of the Weekly Photo Challenge, I will show you three of my interpretations of solitary, images I believe convey the mood through subject matter and compositional elements.

First: a very literal interpretation of solitary. In Denali National Park, a lone-grazing caribou is seen in vast tundra. I wont even begin to speculate on the distances, however it was shot with a 300MM telephoto lens on a Canon 7D. The importance of the 7D is the smaller APS-C sized sensor increases the 300MM lens to an effective focal length of 480MM! As focal length increases, the depth of a picture is flattened, making the relationships of everything seem closer.

In short, this caribou is very alone.

Please click on the images to view full size.

Lone caribou in Denali National Park, Sept. 16, 2012

My second image is more metaphorically solitary. The model and her shadow are all the viewer has to dwell on. I think her gaze off the edge of the frame, often deemed poor composition because the viewer wonders what the subject is looking at, gives the feeling that there is nothing besides more wall, adding to the solitary feeling. Also helping is the edge of the 4×5 film, terminating any curiosity about what else there may be.

Crystal at Creamers Field

Finally a somber event that would leave anyone feeling solitary. A woman walks past a cutout to honor a victim of domestic violence. The plaque reads,

“Nancy Tegoseak, Age 40, April, 2004. Nancy was born in Tanana and the loving mother of five children. She was beaten to death by her boyfriend. She leaves behind three children.”

Mt. Rainier: I fell asleep beneath the flowers

Landscapes, Macro, Photography, Travel

Wildflowers are a main attraction to be found on Mt. Rainier. There are obviously many others: great views, unique structures, waterfalls, glaciers and abundant wildlife. I will feature them all in the weeks to come. But it’s Friday, so let us relax, enjoy the beautiful fall and maybe daydream a little. To facilitate those feelings take a look at the pretty purple flowers.

Please click on the image to view full size.

Weekly photo challenge: Near and far

Landscapes, Photography, Travel, Weekly Photo Post

The weekly photo challenge is a different photo assignment from dailypost. This week is near and far, two-dimensional images with a three-dimensional feel. Low point-of-view and converging diagonal lines are two ways to accomplish this, another approach is get some high elevation. To increase the effect foreground objects or size perspective give depth.

My image comes from a very overcast day on Mt. Rainier in Washington. Not only does the ominous hanging cloud provide more of a foreground it creates an extra horizon line and a tunnel for the eye, directing it towards the hundreds of miles of rolling foothills.

Please click on the image to view full size.

Swans and bikers on the Richardson Highway

Alaska, Landscapes, Photography, Travel, Wildlife

The Richardson Highway is 368 miles of pavement connecting Fairbanks, Alaska with Valdez to the south. The highway is typical of those found in Alaska: crossing mountain ranges and a very steep pass, with the occasional view of a glacier. Also common among many Alaskan roads, wildlife viewing. A trip down to Valdez earlier this summer brought multiple sightings and photo opportunities of swans.

Please click on the image to view full size.

The first group of the birds were farther off the road and didn’t allow me to get very close before taking flight, but offered me a nice action shot in the process.

The second group, much closer to the road, was far to concerned with eating to be spooked by my presence.

Then, after a few minutes of photographing, I got that unique shot photographers hope for. There in remote Isbabel Pass, more then 100 miles south of Fairbanks and with Gulkana Glacier in the background, a long-distance biker seemed to come out of nowhere, stopping to take a picture himself. Unfortunately without the preceding picture one easily looses the beauty of these large, graceful and powerful birds.

Digital, hiking Granite Tors and a candle

Alaska, Landscapes, Photography, Portraits, Sports, Travel

Sometimes I put my foot in my mouth. Photographic tastes are fickle, and after saying film is a major part of my aesthetic I decide to go more digital. There are many reasons, but I’m not trying to get too personal in this blog. One of the primary reasons: film’s magic for me is black and white. The film is cheaper and I can process it myself. But sometimes I just want to see the world in color. Another reason: to make steady money with photography while possible shooting film, one need’s a very well established name. The final reason is, in all fairness, probably the most important, ISO. Also known as ASA or simply film speed, it is a rating of sensitivity to light. Digital cameras can shoot at such high ISOs (6,400 and above) film cant hold a grain to it.

So I splurged, bought my first unused camera, but thanks to a combination of reward points the bill was cut more then fifty percent. Here are two pictures from my first few rounds of shooting.

Patrick left and David right, Granite Tors east of Fairbanks.

The picture above was taken at Granite Tors, a popular climbing destination and fifteen mile hike outside of Fairbanks. What I like about this picture is scale. The far horizon is balanced by the climber in the foreground. Then after viewing the second hiker a sense of elevation is really present.

A candle burns during a rain storm.

Humans see in color, and despite my love for black and white color makes, or breaks, many photos. In this image the strong monochrome and repetitive circles ground the viewer, while the abstract composition makes them wonder if they’re looking at a celestial formation.

Fishing in Valdez: The people, the fish and the boat.

Alaska, Landscapes, Photography, Portraits, Travel

Here are two images of life on the water in Valdez. The first image I believe is a combination of family and friends that work together commercial fishing Silver Salmon. Trollers go out in smaller skiffs deploying nets before they are winched back in. It’s hard work, and despite the apparent calm in the fishermen there is noticeable tension in their postures.

Please click on the images to view full size.

Next, a fishing boat sits in the shade as the light falls on the hill behind. The boat had overnighted in Sawmill Bay, sometimes it’s easier to find calm water to sleep on then sail back to the harbor. Even though in this case Sawmill Bay is only 15 miles outside Valdez.

Raindrops and Spirits. One of the spirits.

Alaska, architecture, Arts, Black & White, Film, Landscapes, Photography, Portraits, Travel

It’s only four days until my first solo show, I’m excited and busy, but feel it should come together nicely. There are already things I wish I had done differently, but it’s not in my nature to worry, so I’m chalking it up to lack of experience.

As I said previously, my show is to deal heavily with the role of people within place. Even when people take a a large portion of subject matter they are meant to complement the surroundings. Such is the case with today’s image “David in Kennicott,” A large, strong figure in a commanding environment. Also worth noting is location, most of the images are paired, some in multiple ways. This is at the same location as my title piece “Rain Apparition,” Kennicott in the Wrangell St. Elias National Park. With pairings the viewer is allowed to view locations with many more meanings; the ability to step back, taking in the scene, then moving in closer for detail.

Please click on the image to view full size.

David in Kennicott

A first, first Friday. “Raindrops and Spirits.”

Alaska, Arts, Black & White, Film, Landscapes, Photography, Travel

After a few years of persuasion from local photographers, April 6, 2012 I will be holding my first solo show at Frank’s Menswear, downtown Fairbanks, on 2nd Ave. The show, titled “Raindrops and Spirits” will be around 15, 8×10 in. silver-gelatin darkroom prints, taken at various locations around Alaska including Fairbanks, Homer and Kennicott. It’s very exciting to know my work will hang on the walls of a business for a month, and hopefully it will lead many more shows at many venues, as well as a few print sales.

People play an important role in the theme of my show, the absence of people equally important as the inclusion. The title is derived from the following image, which features a blur in the lower left-hand corner. People often ask me what caused it, and I reply with “A raindrop on the lens.” But having a vivid imagination I often like to think it’s something more, in this case the apparition of a forgotten worker from the mine, wandering the grounds he calls home.

Please click on image to view full size.

Rain Apparition

Valdez Harbor and Trans-Alaska Pipeline Storage Tanks

Alaska, Black & White, Film, Landscapes, Photography, Travel

While doing some back editing I realized I have a fair amount of work from a few trips to Valdez last summer. Valdez is the northern-most ice free harbor in the U.S. and is home to the terminus of the Trans-Alaska Pipeline.

Seen here from across the bay, on a rare sunny day in Valdez, are the storage tanks for the oil that continues to flow through the pipeline 35 years after it was first pumped. According to valdezalaska.org there are 18 crude-oil tanks, each capable of holding 510,000 barrels of crude, for a total of 9.18 million barrels. While not nearly at peak production the pipeline still proves to be a vital portion of Alaska’s economy. Watch where you’re boating, if you enter the restricted area around the storage tanks you can be fined up to $32,500 and lose your boat.