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Weekly Photo Challenge: Silhouette
Abstract, Alaska, Black & White, Landscapes, Photography, Travel, Weekly Photo PostProbably a little too much detail to be a true silhouette. But the dark outline of the boat emphasized against the cloudy background offers the same effect. I really like the boat far in the background. Image taken in Prince William Sound, outside Valdez, 2011.
The second image is a true silhouette. Mountains at sunset in Denali National Park.
Kodak Retina double exposure
Abstract, Alaska, Film, PhotographyI read an ad for a garage sale that specifically said antique cameras, needless to say I couldn’t resist. To my delight I found a Kodak Retina IIIc. Based off the serial number from this 35MM camera it was made between 1954 and 1957 in Stuttgart, Germany. This awesome camera can be slow to use, but features a qreat 50mm, Schneider 2.0 lens. It is also has a solid feel, and at $25 price tag, with a $50 cleaning at a local shop, I couldn’t be happier with the cost.
It always fun to imagine the pictures an old camera has taken, and equally fun to image the ones it has left.
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One of the rolls I shot was old 400 ASA film, and somehow got double exposed. No complaints here as the contrast between neon pink hotel sign and the curious gaze of the dog in the woods mimics a feeling I often have when looking at some of todays buildings.
Spring, snow melt and cattle
Abstract, Alaska, Black & White, Film, Photography, PortraitsRecord temperatures in Fairbanks means snow’s melting, fast. I’ve been photographing the farmer who is raising Black Angus cows some more. Here water drips off a fence highlighted by sun with a cow in the background. 100 speed film means not a lot of grain, but on 35MM it still comes standard, shallow depth of field just because I can.
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Found: Love at the bottom of a martini glass
Abstract, Alaska, Arts, Black & White, Film, PhotographyWent out for drinks after my show last Friday. I noticed a neat reflection being projected onto our table at Lavelle’s Bistro. It’s very rewarding after such a hectic week in a very crowded and noisy restaurant to notice the elegance of still life. In the low light shallow depth of field and grain come standard on the 35MM 400 ISO film.
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