Music Monday: TIm Robb at Creamers Field.

Alaska, Black & White, Film, Music, Photography, Portraits, Street

First things first: My condolences go out to all those affected by today’s Boston Marathon tragedy. I have spent some time viewing photos and watching videos, it truly is horrific. I can’t imagine the utter shock and chaos felt during what should have been a time of jubilation.

I was riding my bike to school, just about this time in 2012, and stopped by Creamers Field to shoot some 35mm, B&W film. I happened upon an unexpected scene.

Fairbanks musician Tim Robb watched the arrival of Canada goose while practicing guitar, his dog in attendance. Robb is a very enjoyable, mellow yet enthusiastic musician. The Fairbanks Daily News-Miner correctly critiques his work: “Robb… typically blurs the style lines through free-form interpretation and improvisation.”

I was worried I didn’t have anything for Music Monday, then I found these gems in my archives. The first image is a lesson in micro-composition. A few extra seconds in the viewfinder and I may have panned up and to the right, eliminating the rear-door handle and “Outback” emblem, at the same time getting all the lettering on the barn and the vents on the roof.

Tim Robb practices guitar while his dog hangs out at Creamers Field, April 2012.

Tim Robb practices guitar while his dog hangs out, Creamers Field, April 2012.

Bright morning light causes squinty eyes, but doesn’t diminish smiles.

Sporting Thursday: Christmas day jog.

Alaska, Landscapes, Photography, Street

It may be a little dated, but as I mentioned in my last post, winter has decided to stick around in Fairbanks. It was probably a lot nicer out Christmas day, 2012, then it is now in the middle of April.

I was capturing some of the gorgeous light from the sunset walking to my grandma’s house, just before 3 p.m., . Suddenly a pair of runners turned off a subdivision onto the main road. I had time to capture one frame as the ran off into the winter wonderland.

Runners make their way up Steel Creek Rd. on a Christmas-day run in a white wonderland.

The winter sun in Alaska never gets very high. Here it is seen setting through trees just before 3 p.m.

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Fine Art Friday: World Water Day

Photography, Uncategorized

It’s another inaugural themed post, “Fine Art Friday.” Today I’m combining it with World Water Day. Since 1993 World Water Day has advocated for the sustainable management of freshwater resources and brought attention to the importance of freshwater.

World Water Day was brought to my attention by fellow blogger FrizzText, who linked to a lovely collection of water-related photos assembled by boston.com. It even includes an night shot from the 2012 Iditarod Trail Sled Dog Race of a racer collecting snow to melt.

Musher Bill Pinkham collects hot water during his stop in Takotna, Alaska, during the Iditarod Trail Sled Dog Race on March 7, 2012. (Marc Lester/Anchorage Daily News/Associated Press)

My World Water Day image is of unwanted water. It’s springtime, and more then a few structures at UAF have leaky roofs. At the Fine Arts Complex – hence the relation to Fine Art Friday – the rhythmic drip-drop of water leaching into the building did a good job distracting from class.

Ripples radiate on a window sill in UAF’s Fine Art Complex during a warm March afternoon. March 8, 2013.

Sporting Thursday: Snowshoe Hair tracks and a Geocache.

Alaska, Landscapes, Photography, Travel, Uncategorized, Wildlife

Cross-country skiing, either skate or classic, is a great way to exercise and get outside during the long Alaskan winters. Sticking to a groomed trail or breaking your own through the woods both provide ample opportunities for fun sights.

A trip on March 13, traversing trails just north of Fairbanks from my house to a friend’s, had a few hidden surprises.

While stopped to discuss which direction to go I spotted some snowshoe hair tracks off the trail. My shadow provides a little perspective while some unidentified tracks disappear off frame.

Snowshoe hair tracks and shadow.

From there we followed what appeared to be a well-tracked snowmachine trail. While continuing to appear well traveled, it quickly delved into a walking only trail, then abruptly stopped in a clearing. Again, while debating our next move, I glanced around, noticing a cache in snow.

After a brief inspection it was discovered to be a geocache. Geocaching is a global game where people upload the longitude and latitude of a cache online for others to find. Inside was a variety of objects: a pipe cutter, crayons, paint, playing cards, a Pez dispenser and a mosquito net to name a few. The rules simply state if you take something you must leave something.

Glad our lives didn’t depend on the contents.

We fell under the “found by accident” category.

The ski was close to 10 miles, and that worked up an appetite. So to finish off “Sporting Thursday” is a picture of a fellow winter adventurer captured while waiting for pizza.

A winter biker casts a long shadow outside Corner Campus Mall, March 13, 2013.

2013 GCI Open North American Championships.

Alaska, Landscapes, Photography, Sports

The GCI Open North American Championship is a three-day dog-sled race, that starts and finishes in downtown Fairbanks. The course takes leads them to the Chena River and Noyes Slough before depositing racers into the extensive trail network north of Fairbanks. Weather couldn’t have been better.

I met up with the mushers at Creamers Field, one of my go-to places for photography. Today, like most days at Creamers, I focused with film. With luck it may get develop in a timely manner.

Trucking through Creamers Field. Sat. March 16, 2013

Perhaps tomorrow I will focus on the downtown spectacle while shooting a little more digital.

‘Tis the season to ski: Nat’ Geo’ Extreme Photo of the Week and more.

Alaska, Black & White, Photography, Portraits, Sports

First things first: A huge shout out to my friend and fellow (former) Fairbanks resident, Luke Smith, who is the skier in this weeks National Geographic Extreme Photo of the Week. Photographer Ryan Kruger captured Luke skiing Frazier Basin, Bridger Range, Montana.

Here’s the image, click the link above to see the full story. I especially like the delay between the initial viewing and noticing the skier, and of course, the monochromatic image.

photo by Ryan Krueger

Photographing skiing and snowboarding is a very delicate balance for me. Often my love for snowboarding overpowers my desire to take photos on the hill. It’s easy to worry about my camera, ducking under and squeezing through trees at Skiland, where I ride, and the fartherst north chairlift in North America.

I am becomming more comfortable with it though. The hardest part is forcing myself to be less agressive while riding.

While neither of my photos offer the extreme enviornment of Krueger’s, they have their own qualities. Both with a strong sense of light, the Sun peeking out behind my friends Nils and Nick in the first, illuminated hoar frost on the lift in the second. The first image is also a pan shot, my movement, parallel with the subjects, keeps them in focus while blurring the background.

Nick and Nils gather speed for the traverse at Mt. Aurora Skidland.

Nick and Nils gather speed for the traverse at Mt. Aurora Skiland.

Hoar frost on an early morning chairlift ride.

Hoar frost and an Alyeska sticker on a chilly, early morning chairlift ride.

New years eve: Alaska Satellite Facility tracking aperture and fireworks.

Alaska, Landscapes, Photography

A satellite-receiving dish is seen as fireworks celebrate the end of 2012 and the start of 2013 on the ski trails at University of Alaska Fairbanks. Known also as a tracking aperture, the 11-meter dish is part of the Alaska Satellite Facility (ASF) of the Geophysical Institute’s Satellite Tracking Ground Station (STGS). The 11-meter X- and S-Band system, along with a smaller 10-meter dish, are just one appendage of a world-wide Near Earth Network, run by the National Aeronautics and Space Administration (NASA). The high latitude of ASF’s ground station allows for 11 connections per day with polar-orbiting spacecraft, ASF then downlinks, processes and distributes data.

I tried to correct the color of the tracking aperture, which had a yellow caste due to artificial lighting, while maintaining true hues of the fireworks. To accomplish this I set my white balance on the dish, lightened the shadows and slightly saturated the image. What made the biggest difference was a slight curve, increasing the highlights and decreasing the shadows, of the red and green spectrums. The end result, I feel is very close to what would have been seen.

My ISO was 125 and tripod shooting was essential, and exposure times were 10 to 15 seconds.

Tractor and barn illuminated by norther lights

Alaska, Landscapes, Photography

For one reason or another, the northern lights are something I don’t photograph enough. Being a heavy film shooter until recent probably played a factor, digital cameras are more cooperative in cold weather. Cold, lack of tripod, poor location and early-morning hours have all played a role in deciding as well.

As the wind whistled and the lights danced overhead a few weeks ago, I said, “no excuses.” Less then a mile to get to my house I had a revelation: the hay field about half-a-mile up the road. Seems silly I had never though of it before. Not wanting to miss a second, I decided to forgo finding my tripod and zipped to the field. I used the two-second self timer and the roof of my car. Directly off Farmers Loop Rd. subsequent cars driving by helped illuminate the farm equipment and barn. Foreground helps any picture, especially northern lights.

The image is actually two pictures placed next to each other. Photomerge, which creates panoramas, wouldn’t blend the images. The color is off and the horizon isn’t perfect, but I like it.

Worth noting, the Big Dipper is noticeable, just up and to the left of the barn.

Weekly Photo Challenge: Foreign. National Hunger and Homeless Awareness Week

Alaska, Photography, Portraits

Winter has arrived. Sparkly-white snow dominates the landscape, already scarce daylight will continue to diminish and temperatures hitting negative numbers will likely drop another 50 degrees. Though these are conditions I have enjoyed my entire life thanks to stable housing and adequate clothing, not all do. My weekly photo challenge of “foreign” will focus on the life of those who do not.

Every year UAF takes part in National Hunger and Homeless Awareness Week. Volunteers stand outside all day, even camping in tents if UAF deems it’s not too cold, to raise awareness for the homeless in Alaska. I’m used to cold weather, but these people are brave.

Alaska has scary homeless statistics. According to University Alaska Anchorage Justice Center Alaska ranks 10th nationally for estimates of homeless people based off total population, one-quarter of one percent, and it’s rising quickly. When including those people who stay in shelters, with friends or in temporary housing the number is estimated at 4,500.

These pictures do not illustrate actual homeless people, just those trying to raise awareness. Perhaps I will use this occasion to find some truly homeless people in Fairbanks and document their trails and tribulations.

Volunteers warm their hands around a barrel fire, November 16, 2011.

Volunteers during National Hunger and Homeless Awareness Month at University of Alaska Fairbanks.

Kodak Retina double exposure

Abstract, Alaska, Film, Photography

I read an ad for a garage sale that specifically said antique cameras, needless to say I couldn’t resist. To my delight I found a Kodak Retina IIIc. Based off the serial number from this 35MM camera it was made between 1954 and 1957 in Stuttgart, Germany. This awesome camera can be slow to use, but features a qreat 50mm, Schneider 2.0 lens. It is also has a solid feel, and at $25 price tag, with a $50 cleaning at a local shop, I couldn’t be happier with the cost.

It always fun to imagine the pictures an old camera has taken, and equally fun to image the ones it has left.

Please click on the image to view full size.

Dog sign double exposure

One of the rolls I shot was old 400 ASA film, and somehow got double exposed. No complaints here as the contrast between neon pink hotel sign and the curious gaze of the dog in the woods mimics a feeling I often have when looking at some of todays buildings.